- US dollars
Plane of Silence
- 59 x 41 cm
$3,200
Plane of Silence explores the city from an aerial perspective, where urban structures, landscape, and atmosphere coexist within a single suspended field. The work moves away from the conventional image of the metropolis and toward a more distant, almost contemplative perception of territory. Across the surface, overlapping fragments of deep green, grey, olive, and muted earth tones suggest an expansive terrain viewed from above. Within it, delicate concentrations of white linear networks emerge like traces of settlements, roads, and interconnected urban systems. Their precision contrasts with the irregular, painterly character of the surrounding landscape. A vast cloud-like formation occupies much of the composition, partially obscuring the territory beneath it. Rather than functioning simply as an atmospheric element, it becomes a zone of interruption — a space where information disappears, and the landscape can no longer be fully read. The visible city gives way to uncertainty. This relationship between detailed structure and concealment creates the work’s distinctive sense of silence. From this imagined altitude, movement becomes imperceptible, architectural density loses its noise, and the city is reduced to traces within a much larger spatial field. In Plane of Silence, Vahagn Bagoyan considers silence not as emptiness, but as a different way of perceiving space. The city remains present beneath the atmosphere, yet distance transforms its complexity into stillness — a territory suspended between visibility, memory, and disappearance.
- US dollars
$3,200
Ancient urban code
- 78 x 55 cm
- euros
€18,000
Ancient Urban Code creates a dialogue between one of Armenia’s most enigmatic ancient landscapes and the spatial logic of the contemporary city. At the center of the composition stands a stone inspired by Karahunj, the prehistoric archaeological site in Armenia known for its monumental standing stones, some pierced by distinctive circular openings. Set against an expansive Armenian landscape, the stone carries the physical presence of deep time — weathered, monumental, and marked by traces that precede the modern city by millennia. Yet across its ancient surface, another system appears: a contemporary urban master plan. Fine networks of streets, intersections, routes, and spatial connections spread over the stone like an encoded inscription. The geometry of the modern city seems not simply imposed on the ancient object, but discovered within it—as though patterns of human settlement and spatial organization belonged to a much longer continuum. The characteristic circular opening becomes a powerful point of connection. Through it, the landscape remains visible, linking stone, territory, and horizon while suggesting a passage between different perceptions of space and time. By bringing Karahunj and the urban master plan into the same visual field, Vahagn Bagoyan connects two radically distant forms of human spatial thinking: the marking of territory in the ancient world and the complex organization of contemporary urban space. In Ancient Urban Code, the city becomes an archaeological possibility. The master plan appears as a code inscribed across time — suggesting that the human impulse to organize, connect, and give meaning to space is far older than the modern metropolis itself.
- euros
€18,000
Architectural Pulse
- 70 x 50 cm
- euros
€4,300
Architectural Pulse explores the city as a living rhythm — an environment shaped by repetition, interruption, density, and continuous movement. The composition gathers around a broad horizontal urban field suspended within an expansive pale space. Architectural fragments, geometric planes, and small accents of blue, ochre, rust, and turquoise accumulate into a dense visual fabric. Rather than forming recognizable buildings, these elements suggest the underlying rhythm of construction — a city continually assembling, changing, and reorganizing itself. An intricate network of fine lines passes through and beyond this central structure. Vertical marks rise like structural coordinates, while diagonals and horizontals intersect across the surface, evoking routes, infrastructure, circulation, and communication systems. Their varying density creates a visual cadence: moments of compression alternate with areas of openness and silence. The restrained background allows this urban concentration to appear almost suspended in space. Its boundaries remain uncertain, as though the city were expanding through invisible connections rather than through physical form alone. In Architectural Pulse, Vahagn Bagoyan shifts attention from architecture as a collection of static objects to architecture as rhythm and process. The metropolis becomes a dynamic system whose identity emerges from the constant interaction of structures, trajectories, and human movement — the pulse that keeps the city alive.
- euros