Copper City presents the city as a shifting territory suspended between urban structure and organic landscape. Viewed from an imagined aerial perspective, fragments of dense construction, linear networks, and textured surfaces emerge within expansive fields of muted green. Rather than defining clear boundaries, the composition allows the city to expand, fragment, and dissolve into its surroundings. Fine intersecting lines suggest routes, infrastructure, and systems of connection, while layered surfaces evoke the accumulated traces of construction, erosion, memory, and time. Warm mineral tones appear intermittently within the predominantly green field, giving the work its sense of “copper” — not as a literal material, but as a trace of transformation embedded within the urban fabric. In Copper City, Vahagn Bagoyan approaches the metropolis as a living terrain: simultaneously planned and accidental, constructed and eroded, recognizable and abstract. The city becomes less a fixed place than an evolving topography shaped by human intervention and the passage of time.